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<title>Esther Phillips</title>

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<h1 id="firstHeading" class="firstHeading mw-first-heading">Esther Phillips</h1>

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Esther Mae Jones (* <a href="23._Dezember" title="23. Dezember">23. Dezember</a> <a href="1935" title="1935">1935</a> in <a href="Galveston" title="Galveston">Galveston</a>, <a href="Texas" title="Texas">Texas</a>; † <a href="7._August" title="7. August">7. August</a> <a href="1984" title="1984">1984</a> in <a href="Los_Angeles" title="Los Angeles">Los Angeles</a>, <a href="Kalifornien" title="Kalifornien">Kalifornien</a>), die als Little Esther und Esther Phillips auftrat, war eine <a href="Vereinigte_Staaten" title="Vereinigte Staaten">US-amerikanische</a> Sängerin, die neben dem <a href="Blues" title="Blues">Blues</a> auch <a href="Jazz" title="Jazz">Jazz</a>, <a href="Country" class="mw-redirect" title="Country">Country</a>, <a href="Soul" title="Soul">Soul</a> und <a href="Disco_(Musik)" title="Disco (Musik)">Disco</a> sang. Sie wurde oft mit <a href="Nina_Simone" title="Nina Simone">Nina Simone</a> verglichen, wohingegen sie <a href="Dinah_Washington" title="Dinah Washington">Dinah Washington</a> als ihr Vorbild angab. Insgesamt gelangen Phillips über einen Zeitraum von 33 Jahren 19 Hits in den amerikanischen R&B-Charts.<a href="#cite_note-1">[1]</a>

<div class="mw-heading mw-heading2"><h2 id="Biografie">Biografie</h2></div>

1949 nahm sie an einem Talentwettbewerb im „Barrelhouse Club“ von <a href="Johnny_Otis" title="Johnny Otis">Johnny Otis</a> in <a href="Los_Angeles" title="Los Angeles">Los Angeles</a> teil. Otis war so beeindruckt, dass er sie für seine Revue The California Rhythm and Blues Caravan engagierte, wo sie als Little Esther auftrat.

1950 hatte sie mit dem Gesangsquartett „The Robins“ ihren ersten Hit, Double Crossin’ Blues. Noch im gleichen Jahr gelangen ihr eine ganze Reihe von großen R&B-Hits: Mistrustin’ Blues, Misery, Cupid Boogie, Deceivin’ Blues, Wedding Boogie und Far Away Blues (Xmas Blues). 1952 folgte Ring-A-Ding-Doo. Nach ihrem Weggang von Otis ließ der Erfolg nach.

1962 wurde Little Esther von <a href="Kenny_Rogers" title="Kenny Rogers">Kenny Rogers</a> wiederentdeckt. Sie trat jetzt unter dem Künstlernamen Esther Phillips auf und hatte mit Release Me einen Top-10-Hit in den Pop- und Nummer-eins-Hit in den R&B-Charts. Die <a href="Beatles" class="mw-redirect" title="Beatles">Beatles</a> luden sie nach England ein, wo sie eine eigene TV-Show bekam. Mitte der 1960er Jahre stand sie bei dem Label <a href="Atlantic_Records" title="Atlantic Records">Atlantic</a> unter Vertrag. Hier gelangen ihr kleinere Erfolge mit And I Love Him (1965) und When a Woman Loves a Man (1966). Zu dieser Zeit kämpfte Phillips bereits mit ihrer <a href="Heroin" title="Heroin">Heroinsucht</a>.

1972 erschien das Album From a Whisper to a Scream, das für einen <a href="Grammy" class="mw-redirect" title="Grammy">Grammy</a> nominiert wurde. Den Preis erhielt dann Aretha Franklin, die ihn aber – als Geste der Bewunderung – an Phillips weitergab. Zu diesem Zeitpunkt stand sie bei <a href="Creed_Taylor" title="Creed Taylor">Creed Taylors</a> Kudu unter Vertrag, einem Unterlabel von <a href="CTI_Records" title="CTI Records">CTI</a>. 1975 hatte sie hier mit einer <a href="Disco_(Musik)" title="Disco (Musik)">Disco</a>-Fassung des Klassikers What a Difference a Day Makes (Original von den Dorsey Brothers, eine sehr bekannte Version stammt von <a href="Dinah_Washington" title="Dinah Washington">Dinah Washington</a>) einen weiteren, weltweiten Hit. Ende 1976 gelang ihr mit Magic's in the Air/Boy, I Really Tied One on ein weiterer Top-5-Erfolg in den US-Disco-Charts.<a href="#cite_note-2">[2]</a> Auch danach nahm sie noch einige Songs in diesem Stil auf, ein größerer Erfolg gelang ihr jedoch nicht mehr.

Phillips starb 1984 an Leber- und Nierenversagen infolge ihrer Heroin- und Alkoholabhängigkeit.

<div class="mw-heading mw-heading2"><h2 id="Diskografie">Diskografie</h2></div>

<div class="mw-heading mw-heading3"><h3 id="Alben">Alben</h3></div>

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<th style="width:25px;" class="charts-th charts-trh" rowspan="2">Jahr

</th>

<th style="width:350px;" class="charts-th charts-trh" rowspan="2">Titel

</th>

<th class="charts-th" colspan="2">Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen<a href="#cite_note-charts-3">[3]</a> (Jahr, Titel, Platzierungen, Wochen, Auszeichnungen, Anmerkungen)

</th>

<th style="width:300px;" class="charts-th charts-trh" rowspan="2">Anmerkungen

</th></tr>

</th>

</th></tr>

<tr>

<td class="charts-yy">1963

</td>

<td>Release Me

</td>

<td><a href="Billboard_200" title="Billboard 200">US</a>46 (14 Wo.)US

</td>

<td class="charts-hidm charts-nxa">—

</td>

</td></tr>

<tr>

<td class="charts-yy">1970

</td>

<td>Burnin’

</td>

<td><a href="Billboard_200" title="Billboard 200">US</a>115 (15 Wo.)US

</td>

<td><a href="Top_R%26B/Hip-Hop_Albums" title="Top R&B/Hip-Hop Albums">R&B</a>7 (24 Wo.)R&B

</td>

Livealbum</div>

</td></tr>

<tr>

<td class="charts-yy">1971

</td>

<td>From a Whisper to a Scream

</td>

<td><a href="Billboard_200" title="Billboard 200">US</a>137 (15 Wo.)US

</td>

<td><a href="Top_R%26B/Hip-Hop_Albums" title="Top R&B/Hip-Hop Albums">R&B</a>16 (17 Wo.)R&B

</td>

</td></tr>

<tr>

<td class="charts-yy">1972

</td>

<td>Alone Again, Naturally

</td>

<td><a href="Billboard_200" title="Billboard 200">US</a>177 (8 Wo.)US

</td>

<td><a href="Top_R%26B/Hip-Hop_Albums" title="Top R&B/Hip-Hop Albums">R&B</a>26 (16 Wo.)R&B

</td>

</td></tr>

<tr>

<td class="charts-yy">1974

</td>

<td>Black-Eyed Blues

</td>

<td class="charts-hidm">—

</td>

<td><a href="Top_R%26B/Hip-Hop_Albums" title="Top R&B/Hip-Hop Albums">R&B</a>17 (9 Wo.)R&B

</td>

</td></tr>

<tr>

<td rowspan="2" class="charts-yy">1975

</td>

<td>Performance

</td>

<td class="charts-hidm">—

</td>

<td><a href="Top_R%26B/Hip-Hop_Albums" title="Top R&B/Hip-Hop Albums">R&B</a>46 (8 Wo.)R&B

</td>

</td></tr>

<tr>

<td>What a Diff’rence a Day Makes

</td>

<td><a href="Billboard_200" title="Billboard 200">US</a>32 (17 Wo.)US

</td>

<td><a href="Top_R%26B/Hip-Hop_Albums" title="Top R&B/Hip-Hop Albums">R&B</a>13 (13 Wo.)R&B

</td>

</td></tr>

<tr>

<td rowspan="2" class="charts-yy">1976

</td>

<td>Capricorn Princess

</td>

<td><a href="Billboard_200" title="Billboard 200">US</a>150 (4 Wo.)US

</td>

<td><a href="Top_R%26B/Hip-Hop_Albums" title="Top R&B/Hip-Hop Albums">R&B</a>40 (5 Wo.)R&B

</td>

</td></tr>

<tr>

<td>Confessin’ the Blues

</td>

<td><a href="Billboard_200" title="Billboard 200">US</a>170 (4 Wo.)US

</td>

<td><a href="Top_R%26B/Hip-Hop_Albums" title="Top R&B/Hip-Hop Albums">R&B</a>35 (7 Wo.)R&B

</td>

</td></tr>

</tbody></table>grau schraffiert: keine Chartdaten aus diesem Jahr verfügbar

Weitere Alben

<li>1966: Esther Phillips Sings</li>

<li>1966: The Country Side of Esther</li>

<li>1970: Live at Freddie Jett’s Pied Piper</li>

<li>1975: Esther Phillips and Joe Beck</li>

<li>1978: All About Esther</li>

<li>1979: Here’s Esther, Are You Ready</li>

<li>1981: Good Black Is Hard to Crack</li>

<li>1986: A Way to Say Goodbye</li></ul>

<div class="mw-heading mw-heading3"><h3 id="Singles">Singles</h3></div>

<th style="width:25px;" class="charts-th charts-trh" rowspan="2">Jahr

</th>

<th style="width:350px;" class="charts-th charts-trh" rowspan="2">Titel Album

</th>

<th class="charts-th" colspan="4">Höchstplatzierung, Gesamtwochen, AuszeichnungChartplatzierungenChartplatzierungen<a href="#cite_note-charts-3">[3]</a> (Jahr, Titel, Album, Platzierungen, Wochen, Auszeichnungen, Anmerkungen)

</th>

<th style="width:300px;" class="charts-th charts-trh" rowspan="2">Anmerkungen

</th></tr>

</th>

</th>

</th>

</th></tr>

<tr>

<td class="charts-yy">1962

</td>

<td>Release Me Release Me

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Billboard_Hot_100" title="Billboard Hot 100">US</a>8 (16 Wo.)US

</td>

<td class=""><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>1 (13 Wo.)R&B

</td>

</td></tr>

<tr>

<td rowspan="2" class="charts-yy">1963

</td>

<td>I Really Don’t Want to Know –

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Billboard_Hot_100" title="Billboard Hot 100">US</a>61 (5 Wo.)US

</td>

<td class="charts-hidm">—

</td>

</td></tr>

<tr>

<td>You Never Miss Your Water (Til the Well Runs Dry) –

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Billboard_Hot_100" title="Billboard Hot 100">US</a>73 (2 Wo.)US

</td>

<td class="charts-hidm">—

</td>

mit Al Downing</div>

</td></tr>

<tr>

<td class="charts-yy">1964

</td>

<td>Hello Walls –

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td class=""><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>36 (3 Wo.)R&B

</td>

als Little Esther</div>

</td></tr>

<tr>

<td class="charts-yy">1965

</td>

<td>And I Love Him And I Love Him

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Billboard_Hot_100" title="Billboard Hot 100">US</a>54 (9 Wo.)US

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>11 (9 Wo.)R&B

</td>

</td></tr>

<tr>

<td class="charts-yy">1966

</td>

<td>When a Woman Loves a Man –

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>26 (8 Wo.)R&B

</td>

</td></tr>

<tr>

<td class="charts-yy">1969

</td>

<td>Too Late to Worry, Too Blue to Cry –

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>35 (5 Wo.)R&B

</td>

</td></tr>

<tr>

<td rowspan="3" class="charts-yy">1972

</td>

<td>Home Is Where the Hatred Is From a Whisper to a Scream

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>40 (6 Wo.)R&B

</td>

</td></tr>

<tr>

<td>Baby, I’m for Real From a Whisper to a Scream

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>38 (6 Wo.)R&B

</td>

</td></tr>

<tr>

<td>I’ve Never Found a Man (To Love Me Like You Do) Alone Again, Naturally

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>17 (9 Wo.)R&B

</td>

</td></tr>

<tr>

<td class="charts-yy">1975

</td>

<td>What a Diff’rence a Day Makes What a Diff’rence a Day Makes

</td>

<td><a href="Deutsche_Singlecharts" title="Deutsche Singlecharts">DE</a>16 (20 Wo.)DE

</td>

<td><a href="Britische_Musikcharts" title="Britische Musikcharts">UK</a>6 (8 Wo.)UK

</td>

<td><a href="Billboard_Hot_100" title="Billboard Hot 100">US</a>20 (16 Wo.)US

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>10 (18 Wo.)R&B

</td>

</td></tr>

<tr>

<td class="charts-yy">1976

</td>

<td>For All We Know For All We Know

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>98 (2 Wo.)R&B

</td>

</td></tr>

<tr>

<td class="charts-yy">1983

</td>

<td>Turn Me Out –

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td class="charts-hidm">—

</td>

<td><a href="Hot_R%26B/Hip-Hop_Songs" title="Hot R&B/Hip-Hop Songs">R&B</a>85 (3 Wo.)R&B

</td>

</td></tr>

</tbody></table>

Weitere Singles

<ul><li>1950: Double Crossing Blues</li>

<li>1950: Mistrusting Blues</li>

<li>1950: Misery</li>

<li>1950: Cupid’s Boogie</li>

<li>1950: Deceivin’ Blues</li>

<li>1950: Wedding Boogie</li>

<li>1950: Far Away Blues (Xmas Blues)</li>

<li>1963: Am I That Easy to Forget</li>

<li>1965: Moonglow</li>

<div class="mw-heading mw-heading2"><h2 id="Literatur">Literatur</h2></div>

<ul><li>Stambler, Irwin: The Encyclopedia Of Pop, Rock And Soul. 3. überarbeitete Auflage, New York City, New York: St. Martin’s Press, 1989, S. 520f – ISBN 0-312-02573-4.</li></ul>

<div class="mw-heading mw-heading2"><h2 id="Quellen">Quellen</h2></div>

<li id="cite_note-1"><a href="#cite_ref-1">↑</a> Joel Whitburn: Top R&B Singles 1942-1995, 1996, Seite 348, ISBN 0-89820-115-2

</li>

<li id="cite_note-2"><a href="#cite_ref-2">↑</a> Joel Whitburn: Hot Dance/Disco 1974-2003, 2004, Seite 202, ISBN 0-89820-156-X.

</li>

<li id="cite_note-charts-3">↑ <a href="#cite_ref-charts_3-0">a</a> <a href="#cite_ref-charts_3-1">b</a> Chartquellen: <a rel="nofollow" class="external text" href="https://www.offiziellecharts.de/suche?artist_search=Esther+Phillips&do_search=do">DE</a> <a rel="nofollow" class="external text" href="https://www.officialcharts.com/artist/15498/esther-phillips/">UK</a> <a rel="nofollow" class="external text" href="https://www.billboard.com/artist/esther-phillips/chart-history/">US</a> <a rel="nofollow" class="external text" href="https://worldradiohistory.com/Archive-All-Music/Billboard-Magazine.htm">US (vor 17. August 1963)</a>

</li>

</ol>

<div class="mw-heading mw-heading2"><h2 id="Weblinks">Weblinks</h2></div>

<div class="sisterproject" style="margin:0.1em 0 0 0;"><div class="noresize noviewer" style="display:inline-block; line-height:10px; min-width:1.6em; text-align:center;" aria-hidden="true" role="presentation"></div><a class="external text" href="https://commons.wikimedia.org/wiki/Category:Esther_Phillips?uselang=de">Commons: Esther Phillips</a> – Sammlung von Bildern, Videos und Audiodateien</div>

<ul><li><a rel="nofollow" class="external text" href="https://www.allmusic.com/artist/mn0000271029">Esther Phillips</a> bei <a href="AllMusic" title="AllMusic">AllMusic</a> (englisch)</li>

<li><a rel="nofollow" class="external text" href="https://www.discogs.com/de/artist/Esther+Phillips">Esther Phillips</a> bei <a href="Discogs" title="Discogs">Discogs</a></li>

<li><a rel="nofollow" class="external text" href="https://home.earthlink.net/~jaymar41/Lesther.html">The Story of Little Esther von J.C. Marion (engl.)</a></li>

<li>James Head: <a rel="nofollow" class="external text" href="https://www.tshaonline.org/handbook/entries/phillips-esther-mae-little-esther">Phillips, Esther Mae [Little Esther</a> (1935–1984).] Eintrag im Handbook of Texas, 5. Dezember 2006, zuletzt aktualisiert am 11. August 2015.</li>

<li><a rel="nofollow" class="external text" href="https://www.findagrave.com/memorial/6274589">Esther Phillips</a> in der Datenbank <a href="Find_a_Grave" title="Find a Grave">Find a Grave</a>Vorlage:Findagrave/Wartung/Gleiche Kenner im Quelltext und in Wikidata</li></ul>

<div>

Normdaten (Person): <a href="Gemeinsame_Normdatei" title="Gemeinsame Normdatei">GND</a>: <a rel="nofollow" class="external text" href="https://d-nb.info/gnd/134484487">134484487</a> | <a href="Library_of_Congress_Control_Number" title="Library of Congress Control Number">LCCN</a>: <a rel="nofollow" class="external text" href="https://id.loc.gov/authorities/n87119318">n87119318</a> | <a href="Virtual_International_Authority_File" title="Virtual International Authority File">VIAF</a>: <a rel="nofollow" class="external text" href="https://viaf.org/viaf/46947367/">46947367</a> | </div>

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